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一直作(🍅)為米(mǐ )路(🔨)斯(🆓)．科(✒)曼劇本鐵三(sān )角(jiǎo )（另(🔼)一位是帕(😘)培錫，也是本片編(biān )劇之一）(🎹)成員(🥈)的(🐉)艾雲．巴薩，當然也(💤)走低(🎾)度戲劇(👋)路線。同(❣)是音樂家(jiā )的(😎)彼德與(⚫)卡洛老(lǎo )友重逢(féng )，生活(🎡)狀況大不同，你有(yǒu )伴侶我有家庭(tíng )(🕌)，然(📞)而(🎿)都(🎫)有說不(😚)出的不明朗，唯有以(🥀)酒與音樂(lè )代(dài )替口水。全片(piàn )推展不問目的，只在剎那間(jiān )的(❔)意圖，行(háng )行企企比起科曼更義無(✋)反顧，卻有(🤸)生活淡如流水的詩(shī )意(yì )和繆思，叫觀眾聯想到二十年後(😍)的伊力(⛳)．盧馬。巴薩鍾愛音樂(lè )的程(chéng )度不(👣)下於文字和(💝)電影，古典音(yīn )樂(🛎)與(💍)民間音(yīn )樂(😊)於(yú )全片迴(🐛)轉(zhuǎn )迴盪，難怪成了奇斯洛(luò )夫斯基十大(dà )心愛電影之(🎥)一。 (😙)康城(chéng )影(📛)展青年評(píng )(📸)審團獎，美(měi )國全國影(🏃)評(píng )人協會特別獎 (🐖) 這(zhè )(🖍)部(bù )1966年(📞)的珍品(pǐn )，是(shì )捷克新(xīn )浪潮短暫生命中(zhōng )最(🐂)佳(jiā )作品(pǐn )之(👩)一。成(🤼)名音(📬)樂家到小鎮(😉)探訪舊同學，舊(jiù )同(tóng )學是個窮音樂(🐈)教師，有時在喪禮(lǐ )上吹奏樂(lè )(👼)曲。平(píng )凡(🏡)的(de )素材在(zài )巴(bā )素手裡，變(biàn )出風(🐇)趣復罕(hǎn )見的(de )旋律，一部憂鬱(⛎)的喜(xǐ )劇(jù )，或(🕌)灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🧐)Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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